A typical track will generally build up to a much more energetic movement in the second half before reaching an intense climax, then taper off fairly quickly toward the end. As such, it has an energetic beat, often in a standard 4/4 dance rhythm. The original goal of the music was to assist the dancers in experiencing a collective state of bodily transcendence, similar to that of ancient shamanic dancing rituals, through hypnotic, pulsing melodies and rhythms. Goa trance in the music industry and as a collective party fashion did not gain global recognition until 1994, when Paul Oakenfold began to champion the genre via his own Perfecto label and in the media, most notably with the release of his 1994 Essential Mix, or more commonly known as the Goa Mix. The golden age and first wave of Goa Trance was generally agreed upon aesthetically between 19. Mark Maurice's 'Panjaea's focal point' parties brought it to London in 1992 and its programming at London club megatripolis gave a great boost to the small international scene that was then growing (Octoonwards). Goa-style parties spread like a diaspora all over the world from 1993, and a multitude of labels in various countries (UK, Australia, Japan, Germany) dedicated themselves to promoting psychedelic electronic music that reflected the ethos of Goa parties, Goa music and Goa-specific artists and producers and DJs. īy 1990–91, Goa had become a hot destination for partying and was no longer under the radar: the scene grew bigger. Special mixes were made by DJs in Goa that were the editing of various versions of a track to make it longer. The music was eclectic in style but based around instrumental dub versions of tracks that evoked mystical, cosmic, psychedelic, and existential themes. DJs playing in Goa during the 1980s included Fred Disko, Dr Bobby, Stephano, Paulino, Mackie, Babu, Laurent, Ray, Fred, Antaro, Lui, Rolf, Tilo, Pauli, Rudi, and Goa Gil.
Ĭassette tapes were used by DJs until the 1990s, when DAT tapes were used.
In the early 1980s, sampling synth and MIDI music appeared globally and DJs became the preferred format in Goa, with two tape decks driving a party without a break, facilitating continuous music. Prior to the 1980s, the music played at parties was performed by live bands and tapes were played in between sets. It arrived on tape cassettes by traveller-collectors and DJs and was shared (copied) tape-to-tape among Goa DJs, in an underground scene not driven by labels or the music industry. The music played was a blend of styles loosely defined as techno, New beat and various genres of "computer music" (e.g., high energy disco without vocals, acid-house, electro, industrial-gothic, various styles of house and electronic-rock hybrids). The music has its roots in the popularity of Goa, India, in the late 1960s and early 1970s as a hippie capital, and although musical developments were incorporating elements of industrial music, New beat and electronic body music (EBM), with the spiritual culture in India throughout the 1980s, the actual Goa trance style did not appear until the early 1990s.
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